When I was a child I did four things: I drew, I wrote, I
read, I assembled.
I read everything I could get my hands on. I had hundreds of
books. By the time I was eight, I usually read my mother’s books, so I gave my
hundreds of books to a new program started by The Smithsonian Institute,
Reading is Fundamental. We had a friend, Mr. McGraff, who worked for the
Smithsonian. He knew I loved to read and told me the program was intended to
provide books to poor children. We never had much money, but my parents valued
reading and always found a way to provide any book I wanted. I earned my own
money as well, from the age of five on, and books are what I spent my money on.
My personal idea of ‘poor’ has always been not having a book. The idea that
there were children who didn’t have books was shocking to me. My brother helped
me haul all those books up the hill to Mr. McGraff’s apartment. Mr. McGraff was
shocked and touched by my donation, and I was embarrassed by his reaction. Reading
was so important to me that I just couldn’t stand the idea that anyone didn’t
have books. I did keep one book, Poetry for Boys and Girls, which my parents
gave me for my seventh birthday.
When I was a child, I read.
In Poetry for Boys and Girls, I met Ogden Nash and Edward
Lear. I met Alfred, Lord Tennyson and William Shakespeare. I met Little Willie,
with his insatiable thirst for gore; and I met
- as I was going up the stair – The Man Who Wasn’t There. I met Peter
Piper and Sally of Sea Shell Selling fame. I met a man who tried to save his
precious daughter from a raging storm at sea, and a woman who tried to stop
bells from ringing to save her lover’s life. I met my muse, in the form of
hundreds of poets from all over the world, and I began writing poetry. By the
time I gave the rest of my books away, I had read this book cover to cover
several times, but I wasn’t finished with it. I discovered that things I didn’t
understand the first time often made sense the third or fourth time. I learned
that as I learned new things and had new experiences, new meaning would unfold
from the same poems I had read a dozen times before. I’m still not finished
with that book, and it still on my bookshelf forty-two years later.
When I was a child, I wrote.
Taking my imagination for a stroll, I would gather random
things as I walked, collecting them in a brown lunch bag. I would sing as I
went, or tell some tale to myself, making it all up as I went. I could do this
for hours, sing and walk, and find treasure. When I returned home, I would dump
my treasure out on the dinner table, and with the help of glue and wires,
assemble some crazy creation out of the random bits I collected. I loved
putting things together. My brother got an Erector Set when he was ten, but he had
no interest in it. I was always building something, often mixing my treasures
with his Erector Set, Tinkertoys, and Lincoln Logs. Then I would create
elaborate stories about my creations.
When I was a child, I assembled things.
I drew often. I drew copies of line drawings from any book I
could find. I drew from photographs, too. My Grandmother gave my brother a
Birding book on his thirteenth birthday. He had no more interest in birds than
he had in the Erector Set. I read that book from cover to cover, and hunted for
the birds. I’ve never seen most of them in life, but when I was eight, I drew
them all, in ink. I have one picture still, drawn with a leaky blue ball point
pen. My mother kept it and I found it among her things after she died. I don’t
know what amazed me more, that she kept it all those years, or that it was
good.
When I was a child, I drew.
I never stopped reading. Most years I average almost a book
a day. I read from nearly every section of Mr. Dewey’s catalog. I want to know
it all. I kept writing, off and on. I write to think things through, so I wrote
more when I had problems than when things were going well. I wrote poems when
so moved, but I’ve never written poetry consistently. I’ve saved a few hundred
over the years, writing the reasonably good ones in a special book. I randomly
wrote stories, never consistently. Mostly though, as an adult, I didn’t write
much.
I also didn’t draw or create assemblages much. My drawing
skills deteriorated as a result. I picked it back up, randomly, and have
improved somewhat. I also started assembling bits and pieces again, and began
to experiment with different mediums to create my assemblages. I developed my
own style of sculpting my visions. When people visit my shop, I tell them if
it’s a bit odd, I made it. If it’s normal, I didn’t.
I spent most of my adult life not doing the things I love to
do. When I finally decided to stop slaving away in a “real” job and do what I
love to do, life got a heck of lot happier. It got a little poorer too, but
it’s worth the trade. I am a creator; my soul is content.
© Copyright 2011 Rikki Ansell
all rights reserved
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